Flames, gear and risks of photographing California wildfires

Nov 3, 2019, 6:42 PM
Associated Press photographer Marcio Jose Sanchez covers a wildfire Oct. 30, 2019, in Simi Valley, ...
Associated Press photographer Marcio Jose Sanchez covers a wildfire Oct. 30, 2019, in Simi Valley, Calif. (AP Photo/Gregory Bull)
(AP Photo/Gregory Bull)

SANTA PAULA, Calif. (AP) — It’s ironic, but momentarily forgetting some of my safety gear ended up saving my life.

It happened as I drove late Thursday into the heart of a wildfire that had erupted near the city of Santa Paula, a two-hour drive west of Los Angeles. This was one of the dozens of blazes that have been springing up daily in Northern and Southern California the last couple weeks, an indication that we are now in the middle of wildfire season.

Dressed in flame-resistant clothes, heavy boots and carrying my two cameras, I spent a few minutes walking around and surveying the scene before starting to shoot photos. To get the best shots, you first need to fully understand a situation, everything from where firefighters are working to the winds.

After a few minutes, I realized I had forgotten my helmet and fire shelter, essentially a tarp that can be deployed to cover and protect your body if you can’t escape flames.

So I began walking back to my car, and a few minutes later two large burning branches crashed in the exact place where I had been standing.

I have been covering wildfires since I began working with The Associated Press in 2002, and have had other near-death experiences. Still, the close call this week was so unnerving that I called my editor and a fellow photographer to make sure both had my wife’s phone number. If something happened to me, they could tell her.

Unlike many states that limit access, in many situations California law allows journalists to get as close as they want to the flames. This allows us to capture stunning images of the ferocious burning that in seconds can incinerate houses and kill people, but that access comes with risks.

I always tell my wife about the dangers, but I don’t talk about them with my sons, ages 17 and 15. I don’t want them to worry, and I do take many precautions. I’ve had wildfire training, I have high-quality protective gear and I carry only two cameras, part of staying light on my feet to move as conditions change.

When friends ask what it’s like to cover wildfires, the first thing I say is that there is nothing glamorous. It’s smoky, it’s hellishly hot and it’s dangerous. I can’t even say that I “like” covering them. Instead, like others on the AP’s photo team, I see doing this as a duty to show the world what is happening.

I’m no expert on climate change, but with each passing year I’m more convinced that climatic shifts are driving the fires to new levels. They are more frequent, more intense and more unpredictable.

If there is anything to be optimistic about, it’s that firefighters seem to be getting better at fighting the blazes. They also conduct themselves with a clear sense of mission. At the fire where I was nearly crushed by torched branches, at one point I watched four firefighters boldly take on a giant wave of flames.

I don’t know if this year’s fire season will be more or less severe than previous years; If the last few weeks are any indication, we may be in for a rough couple of months. Whatever happens, my teammates and I will be ready.

We want to hear from you.

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Flames, gear and risks of photographing California wildfires